Before Turkey Day, I went to another Thursday event at the Harris Theater, Mix at Six featuring Lucky Plush Productions.
The Mix at Six structure is interesting. Affordable, short performances on a weeknight so people can attend after work at 6pm. They build enthusiasm for the artist’s other full length performances at the Harris Theater.
A social event for young, hip artistic types that otherwise don’t have plans on a Thursday. It’s a smart move to increase audience awareness, but are there some flaws? But what about people who don’t work in the loop? Is the concept popular?
Seats were general admission, which would make it easy to invite friends at the last minute with tickets only $10 at the door. But, everyone at the performance fit on the orchestra level. Considering there are 3 balconies, it certainly wasn’t a full house.
I’m in full support of low ticket cost and promoting theatrical events to make them more accessible to the community. Mix at Six is an excellent test case to see what this type of series could do for a community. I think much smaller scale cities would see brilliant results from this type of program with not a lot of competition for a Thursday night slot. I’m curious to see what it looks like as the series continues.
Lucky Plush Productions seemed to be a great fit for the evening as well. I’ve wanted to see them perform for a while and admire their mission to create “work that is richly complex while also being broadly accessible.” It’s a challenge to strike that balance, which makes the troop especially intriguing in my mind.
Their work has a delightful fusions of dance with theatrical, comedic story arcs. I was impressed with the honesty of the performance.
Especially the second number, struck me as an inventively realistic critique of reality tv. A part that really stuck with me was one of the performers dancing with her phone between her ear and her shoulder all while carrying on a conversation.
We are drawn to watching one another in “real” form on tv and on stage. This is essential to performing arts, but also eery with technology observing our every move. Even the first piece “The Queue” set in an airport also had awareness of being watched as inherently important.
Lucky Plush reminds us that the performing arts are about being watched. And in our world full of technology, it’s trickier to define what it means to watch or be a consumer of performing arts. And they do so with an affable sense of humor mixed with a critical eye to deliver very entertaining work.
The pervasiveness of technology is used a lot as a theme these days. We are both drawn in and creeped out by all that the capability of the technology we use everyday. Especially for the arts, artists can use technology to help create/stage their work (youtube, garageband, vine etc.), but art can’t be done without humans at all. Different from the work of engineers, artists can’t be replaced by computers because their work is inherently humanistic. And that’s the important part.
I drew on this theme of technology and the ever watching eye. I recreated the iphone with signature background as a pencil drawing. We spend so much time staring at our phones like little zombies. I thought, what if the phone looked back at us? (…besides from the obviously creepy “periscope”-esque camera functions). So I added a subtle face in the stars peering back at the viewer.-
How much art is around us everyday that we don’t really see? How much art could there be around us if we were just looking in the right ways?
Lucky Plush shows the beauty, the humor and the poignancy of real life. When we engage with the world around us, art can be anywhere from an airport to the cell-phone in our pocket. Mark your calendar for their show Trip the Light Fantastic: The Making of SuperStrip at the Harris Theater on March 3!